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“
Orient Palms
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Georges Chakra
Spring-summer 2018
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Fall-winter 2018-2019
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“Divina”, F/W 2018-2019
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Couture Spring-summer 2018
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Spring-summer 2018
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Spring-summer 2018
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Spring-summer 2018
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Spring-summer 2018
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“Psyché”, S/S 2018
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Focus
Hellenestic mystic
Georges Hobeika, S/S 2018
Diala Aschkar
, Art Director at Orient Palms, Paris, France
Refined, sensual, feminine... Georges Hobeika’s Greek goddesses bring antiquity to the catwalk, but with the modern touch that defines Hobeika’ work. His Haute Couture Spring-Summer 2018 fashion is inspired by the Hellenistic heritage, its art and myths which the Lebanese designer sublimates with his sense of luxury and his signature flowers and leaves motifs. The procession of these “modern goddesses” reveals symbols and motifs usually found on sculpted friezes, ionic columns, Greek baths and antique ceramics.
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Charbel Zoé
Spring-summer 2016
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Edward Arsouni
“Divina”, F/W 2018-2019
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Antonios Couture
Spring-summer 2018
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Zuhair Murad
Spring-summer 2018
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Tony Chaaya
Spring-summer 2016
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Spring-summer 2018
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Paolo Sebastian
Fall-winter 2017-2018
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Georges Hobeika
Spring-summer 2018
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Elie Saab
Spring-summer 2018
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Spring-summer 2018
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Fall-winter 2018-2019
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Fall-winter 2017-2018
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Spring-summer 2016
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Spring-summer 2018
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Fall-winter 2016-2017
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Spring-summer 2018
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Velvet Autumn
Georges Chakra Fall-Winter 2017-2018
Diala Aschkar
, Art Director at Orient Palms, Paris, France
There is something both romantic and sophisticated in the mysterious woman of Georges Chakra’s Fall-Winter 2017/2018 Haute Couture collection. The colors are dark and deep, the lines either sharp and geometric or curved and voluptuous. Intricate folds, transparencies and glittery beads imbue the collection with luxury.
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“Love is a Rebellious Bird”
Georges Hobeika’s Andalusian Couture collection
Diala Aschkar
, Art Director at Orient Palms, Paris, France
Georges Hobeika’s Fall-Winter 2017-2018 show at the Paris haute couture fashion week was a dazzling evocation of Andalusia. Hobeika’s sumptuous designs were reminiscent of the vibrant patterns of the Alcazabas, of the geometric tesserae of the azulejos mosaics and of the majestic architecture of Granada, Cordoba or Sevilla. From the flamboyant capes to the mermaid-shaped dresses, to the curvy shapes of botanical elements embellishing graceful boleros, everything exuded a sensuality worthy of the homeland of Flamenco.
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